PLAIN
FOLK
Abigail Johnson Follows Big Bootsteps into Kalan Country
by Les Pearson
How do you launch a music career when you are only 16,
Canadian Idol will not give you an audition until you are 18, and there
is a swelling expectation for you to fill Kalan’s jig-tight boots?
Start slowly. Compose and polish more original songs.
Improve with expert coaching. And bide your time. Just ask Abigail Johnson.
Her plan is in place.
Abigail is nearly “there.” She is the latest
in a pearly string of talented singer-songwriters to take their first
steps to music fame on a Medicine Hat stage. She and her brother will
appear as Ron Mason’s guests at his CD Release Party scheduled for
the Moose Lodge, February 18, at 8:00 p.m. Mark your calendar!
This event is co-sponsored by the Folk Music and Live
Music Clubs. Ron is the Folk Music Club’s darling. He is a gifted,
mature, songwriter who is celebrating his first recording.
Abigail is a gift from the Live Music Club. Her music
has deep family roots. But for the past four months she has been the protegé
of Bill desBarres and Betty Bischke, two tough-minded mentors who ride
herd on the Live Music Club’s weekly jam at the Moose Lodge.
Abby describes their contribution to her development in
these heartfelt terms. “Bill and Betty are amazing!” They
have coached her breath control, keyboard expression, and vocal articulation.
Betty is one of our city’s outstanding pianists.
Bill’s extensive professional keyboard career flows gently forward
from his college days, a time just after the glaciers melted. (In fact,
there is one geophysical theory that his jazz piano caused the thaw!)
Both Bill and Betty have coached Abby in the fine art of performing.
Abby’s demo collection, with five original songs,
is a landmark in her youthful songwriting career. At age 13, Abby composed
The First Chapter. Since then, she has added steadily to the collection.
Do not let her age fool you!
Her bassy vibrato and husky voice suggest someone much
older. Someone who is decidedly more experienced. Glen Johnson, Abby’s
Dad, explains the dark themes and world-wise perspective that are hallmarks
of these first songs.
Glen was a mission pastor in the southern states when
Abigail was a pre-teen. Glen used to sing and minister to addicts and
prostitutes, “…the really hurting people.” Abby was
there with him. “She got to spend a big part of her young life in
very hurtful, very hard, situations.”
Abigail remembers those times and the vibrant singing
in a Black congregation where Glen was guest pastor. She thinks the dark
themes of her songs stem from reality that friends have shared with her.
Their hurt became hers.
Already she knows that “…the best thing for
me to do is to write about it in a song so that other people my age and
other people who are older can relate to it.”
Such wisdom! Such talent! Don’t miss the CD Release
Party!
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